Aliya Alnuami is experimenting with new ways of painting and decorating ‘Ajami work
Suq al-ʿAttarin, view to east showing the destruction
Suq al-ʿAttarin, view to west showing the destruction
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Suq al-ʿAttarin, view to east showing the destruction
Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)
Hammam Bahram Basha, the main facade after the destruction
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Outlining and shadowing of motifs of a contemporary ‘Ajami decoration
Hammam Bahram Basha, the main facade after the destruction
Pre-drawn pattern of a contemporary ‘Ajami decoration
Application of the relief paste of a contemporary ‘Ajami decoration
Hammam Bahram Basha, the cold section (barrani) after the destruction
Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)
Fig.21_2nd category, stacked ashlar masonry
Suq az-Zarb, view towards east of the suq after the destruction
Suq az-Zarb, general view of the suq after the destruction, view towards east
Suq az-Zarb, general view of the suq after the destruction, view towards east
Suq az-Zarb, general view of the suq, after the destruction, near the Sabil Suq az-Zarb, view towards west
Suq Aslan Dada, general view after completion of the reconstruction, view towards south
Suq az-Zarb, new beginning after the destruction. View from the entrance to the west
Suq Aslan Dada, general view of the suq damages, view towards south
Waqf of Ibshir Mustafa Pasha, siteplan of the building parts (English)
Jamiʿ al-Khayr, main entrance after the war destruction
Abdelraouf Baydoun working with the craft of ‘Ajami in his workshop in Malaysia
Suq Aslan Dada, view of the Mamluk coat of arms (rank) at the north entrance after completion of the rebuilding work
Traditional house in neighborhood “al-Almaji”
Main fassade of Jamiʿ at-Tawashi mosque (video)
Fig. 03-b, Catalogue of Damage
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Neues Dokument 2019-05-06 17.52.32_3
